Praised by The Washington Post for his “poetic and exquisitely sculpted interpretations,” pianist David Fung consistently delivers elegant and compelling performances in a wide range of repertoire.

A frequent guest of the world’s premiere orchestras, Mr. Fung has collaborated with the Cleveland Orchestra, Detroit Symphony, Israel Philharmonic, Los Angeles Philharmonic, and San Francisco Symphony, as well as the major orchestras in his native country of Australia. Known as an incisive interpreter of Mozart and Bach, Mr. Fung has collaborated with the chamber orchestras of Israel, Los Angeles, Melbourne, Orpheus, Saint Paul, and Orchestra of St. Luke’s.

He has captivated audiences at Carnegie Hall, the Kennedy Center, Lincoln Center, Louvre, Gewandhaus, Palais des Beaux-Arts, and Zürich Tonhalle, as well as the major halls in Asia, including the Beijing Concert Hall, Guangzhou Opera House, Hong Kong Town Hall, Seoul Arts Center, and Taiwan National Concert Hall. Notable festival appearances include Aspen, Blossom, Caramoor, Edinburgh, Hong Kong Arts, and Ravinia.

Mr. Fung first garnered international attention as laureate of two prestigious competitions, the Queen Elisabeth, in Brussels, and Arthur Rubinstein, in Tel Aviv, where he was awarded the Chamber Music and Mozart Prizes.

He graduated from the Colburn Conservatory, where he studied with John Perry, going on to work with Peter Frankl, Claude Frank, and Arie Vardi at Yale University, and at the Hannover Hochschüle. Mr. Fung curates the Spirio Piano Series at the Chan Center in Vancouver and is a Steinway Artist.

Lauded for his “profoundly startling vocal resonance” (The New York Times) and “sweet and melancholy sound” (The Washington Post), Grammy-nominated countertenor, Daniel Moody is recognized for his interpretations of baroque masterpieces and contemporary premiers.

Moody is a frequent soloist of leading symphonic and baroque orchestras, including appearances with Apollo’s Fire, Atlanta Symphony Orchestra, Baroque Chamber Orchestra of Colorado, Philharmonia Baroque, and Les Violons du Roy. His appearance with Philharmonia Baroque alongside mezzo-soprano Anne Sofie von Otter and conductor Nicholas McGegan was described as a “combination of tenderness and theatrical verve” (San Francisco Chronicle). Daniel has been featured in a number of Mark Morris’ productions, including Britten’s Curlew River and Purcell’s Dido and Aeneas at the Brooklyn Academy of Music and at the Tanglewood Music Festival where the Financial Times noted his “inspired and absorbing performances.” He has worked with such conductors as Daniella Candillari, Nicholas Carter, David Hill, Nicholas Kramer, Bernard Labadie, Ken Lam, Nicholas McGegan, Robert Moody, Thomas Søndergård, Jeannette Sorrell, Masaaki Suzuki, Kent Tritle, and Gary Wedow.

A graduate of the prestigious Yale Voxtet, resident at the Yale Institute of Sacred Music, Moody has performed as a soloist at Lincoln Center’s Alice Tully Hall, London’s St. John’s Smith Square, and Cambridge’s Trinity College. His performances have been broadcast live on BBC Radio 3 in the United Kingdom, on Boston’s WGBH, Indiana’s WFIU, and WSHU’s Sunday Baroque.

Moody is also a graduate of the Peabody Conservatory and has won several awards in the Metropolitan National Council Auditions, George London Competition, Handel Aria Competition, New York Oratorio Society Competition, and Russell Wonderlic Competition.

Mr. Beisner has been active as a classical pianist throughout the United States and Europe since his solo recital debut in 2005. A year later in 2006 he gave his debut concerto performance with Beethoven’s Piano Concerto no. 3 in C minor, op. 37.

Notable performances have included recitals at the Conservatoire Liceu in Barcelona, Spain, the Liszt Saal at the Accademia d’Ungheria in Rome, Italy, numerous recitals throughout Switzerland, including an all-Liszt recital in the famous “Le Troi Rois” hotel in Basel, repeated invitations at the Schmiedenhof Zunftsaal, also in Basel, various concerts in Budapest, Hungary, and performances at the Summer Liszt Academy in Schillingsfürst, Germany.

In the United States, he has been invited to perform by Chopin societies in Connecticut, Texas, the Chopin Foundation in Florida, the American Liszt Society, and the Polish-American Foundation of Connecticut.

Mr. Beisner has performed with symphony orchestras in Indiana, Connecticut, and Nevada in the U.S. and in Switzerland and Italy. He also frequently collaborates with colleagues in chamber music and vocal accompaniment.

He is a graduate of the Hartt School of Music in Connecticut, USA (BMus) and the Franz Liszt Academy of Music (Liszt Ferenc Zeneművészeti Egyetem) in Budapest, Hungary (M.A.).

Mr. Beisner received rave reviews in the German/Swiss newspapers “Die Neue Fricktaler Zeitung” and “Badische Zeitung” for his recitals, notably his performances of the music of Beethoven, Debussy, Chopin, and Liszt.  He is also a 1st prize winner of the London Liszt Society Competition, and holds the “Marie Hohenlohe” medal for pianistic excellence from the Summer Liszt Academy at Schloss-Schillingfuerst, Germany.   His debut CD, presenting the works of Franz Liszt, was released under the German label “Perfect Noise”

Ignacy Gaydamovich is a cellist with a career that spans multiple continents. He has appeared as a soloist with orchestras including the Hartt School Symphony Orchestra (West Hartford, CT), the Manchester Symphony Orchestra, the National Radio and TV Orchestra of Tirana (Albania), the El Paso Symphony Youth Orchestra, and the Conservatory Music in the Mountains Orchestra (Durango, CO).

He has performed solo cello recitals internationally, with appearances in Panama and Lithuania. His recitals with piano have brought him to venues such as the House of Rachmaninoff Festival in Ivanovka, Russia, the National Library in Panama City, Oizumi Hall in Tokyo, the American Christian University in Beirut, and the Allegro Vivo Music Festival in Horn, Austria.

Gaydamovich has performed chamber music in venues including the Qingdao Westin Hotel Hall in China, the Nippon Bank Hall in Fukuoka, Japan, and the Warsaw Philharmonic Chamber Hall in Poland. In the United States, his solo recitals have included appearances at the Viva Bach Peterborough Music Festival (NH), the Abbott Public Library (Marblehead, MA), and the Boston Public Library. He also regularly performs historically informed recitals on period instruments at the Frederick Collection of Historical Pianos in Ashburnham, MA, collaborating on several occasions with pianist Jiayan Sun.

He has held teaching positions at Smith College, Mount Holyoke College, the Crane School of Music at SUNY Potsdam, Texas Christian University, and most recently at Stetson University in DeLand, FL. He currently serves as an Associate Professor of Cello at East Tennessee State University (ETSU) in Johnson City, TN. His festival teaching includes engagements at Orfeo Music Festival (Vipiteno, Italy), the Qingdao International Classical Music Festival and Competition (China), Cellofest (Panama City), and the Vivace Vilnius International Music Festival (Lithuania). He has also presented masterclasses at the Crane School of Music (NY), the University of Mississippi (Hattiesburg), and the Chopin University of Music (Warsaw, Poland).

His awards include the Grand Prix and prizes for solo and chamber music at the Allegro Vivo Festival (Horn, Austria, 2005), and Third Prize at the K. Bacewicz International Chamber Music Competition (Łódź, Poland, 2004). He holds a Doctor of Musical Arts degree from The Hartt School, Graduate Performance Diplomas from the Longy School of Music and The Boston Conservatory, a Master of Music degree from Texas Christian University, and a Master of Arts degree from the Chopin Music Academy in Warsaw. His principal teachers include Terry King, Rhonda Rider, and Jesús Castro-Balbi, Kazimierz Michalik and Andrzej Bauer.